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      Department of Food Engineering

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      VCD 302 | Course Introduction and Application Information

      Course Name
      Analysis of Visual Culture
      Code
      Semester
      Theory
      (hour/week)
      Application/Lab
      (hour/week)
      Local Credits
      ECTS
      VCD 302
      Fall/Spring
      3
      0
      3
      4

      Prerequisites
      None
      Course Language
      English
      Course Type
      Service Course
      Course Level
      First Cycle
      Mode of Delivery -
      Teaching Methods and Techniques of the Course -
      National Occupation Classification -
      Course Coordinator -
      Course Lecturer(s)
      • Öğr. Gör. Nina KERTSELLI
      Assistant(s) -
      Course Objectives The overall aims of this course are: • to analyse and interpret the increasing visualisation of contemporary culture • to develop specific visual and verbal skills for observing, analysing, describing and critiquing (audio)visual imagery from a range of diverse theoretical perspectives. • to interrogate the ways visual images contribute to the formation of identities and social environments.
      Learning Outcomes
      #
      Content
      PC Sub
      * Contribution Level
      1
      2
      3
      4
      5
      1will be able to classify/categorize different types of signs in visual sources
      2will be able to explain the differences between icons, indexes and symbols
      3will be able to analyze visual culture with a set of methodological approaches that can be applied to the study of visual culture
      4will be able to demonstrate a basic knowledge of theoretical tools
      5will be able to critically analyze a visual source using a variety of criteria including: the social context in which it was created; the cultural meanings it embodies; the style of the work, and the intentions of the artist/designer
      Course Description This is a theoretical course that explores the meanings and effects of images, and ways of looking across a wide spectrum of visual culture: from painting and sculpture to print, packaging, photography, film, advertising, video games and fashion. It encourages students to develop a range of critical approaches to visual language and its importance both historically and contemporary. The course will thus touch upon a number of significant issues, such as globalization, postmodernism, sexuality and the construction of gender, commodification and mass consumption/production, and the production and reception of images of ethnicity and national identity.
      Related Sustainable Development Goals

       



      Course Category

      Core Courses
      Major Area Courses
      Supportive Courses
      Media and Management Skills Courses
      Transferable Skill Courses

       

      WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

      Week Subjects Related Preparation Learning Outcome
      1 Syllabus Introduction None
      2 What is Visual Culture? Visual Methodologies (I) Rose, G. Visual Methodologies. London: Sage, 2007 (Chapter 3: ‘the good eye‘)
      3 What is Visual Culture? Visual Methodologies (I) Rose, G. Visual Methodologies. London: Sage, 2007 (Chapter 4: ‘Content analysis’)
      4 What is a Sign? Visual Methodologies (II) Williamson, J. De-coding Advertise-ments: Ideology and Meaning in Advertising. Lon-don: Boyars, 1978, pp. 1114, 1727, 99105. Rose, G. Visual Methodologies. London: Sage, 2007 (Chapter 5, ‘Semiology’)
      5 Mythology and Second-order semiological system. Rose, G. Visual Methodologies. London: Sage, 2007 (Chapter 5, ‘Semiology’)
      6 Visual Methodologies (III) Psychoanalysis’ in Rose G. Visual Methodologies. London: Sage, 2007
      7 Visualising Gender: Constructions of Femininity and Masculinity ’Psychoanalysis’ in Rose G. Visual Methodologies. London: Sage, 2007,
      8 Critique, discussion,writing the in-class essay None
      9 Postmodernism: Pastiche and Parody Postmodernism and Popular Culture’. Practices of Looking. M. Sturken, et. al, Oxford: OUP
      10 In-class presentations by students None
      11 Introduction to Discourse Analysis Discourse Analysis I in Rose G. Visual Methodologies. London: Sage, 2007
      12 Visual Power: The Panopticon ‘Over and Under Surveillance’ online article by Judy Chen
      13 Introduction to Contemporary Art Theory The Conspiracy of Art: Manifestos, Interviews,Essays’ by Jean Baudrillard, NY,2005
      14 Fashion and Identity Barthes, R. The Fashion System. Berkeley and Los Angeles, California: University of California Press, 1990
      15 Review of the Semester  
      16 Review of the Semester  

       

      Course Notes/Textbooks

      Gillian Rose ''Visual Methodologies'' ISBN: 978-1-4739-4890-7

      Suggested Readings/Materials

       

      EVALUATION SYSTEM

      Semester Activities Number Weigthing LO 1 LO 2 LO 3 LO 4 LO 5
      Participation
      Laboratory / Application
      Field Work
      Quizzes / Studio Critiques
      1
      20
      Portfolio
      Homework / Assignments
      1
      40
      Presentation / Jury
      Project
      1
      40
      Seminar / Workshop
      Oral Exams
      Midterm
      Final Exam
      Total

      Weighting of Semester Activities on the Final Grade
      2
      60
      Weighting of End-of-Semester Activities on the Final Grade
      1
      40
      Total

      ECTS / WORKLOAD TABLE

      Semester Activities Number Duration (Hours) Workload
      Theoretical Course Hours
      (Including exam week: 16 x total hours)
      16
      3
      48
      Laboratory / Application Hours
      (Including exam week: '.16.' x total hours)
      16
      0
      Study Hours Out of Class
      0
      Field Work
      0
      Quizzes / Studio Critiques
      1
      12
      12
      Portfolio
      0
      Homework / Assignments
      1
      24
      24
      Presentation / Jury
      0
      Project
      1
      36
      36
      Seminar / Workshop
      0
      Oral Exam
      0
      Midterms
      0
      Final Exam
      0
          Total
      120

       

      COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

      #
      PC Sub Program Competencies/Outcomes
      * Contribution Level
      1
      2
      3
      4
      5
      1 Being able to transfer knowledge and skills acquired in mathematics and science into engineering,
      -
      -
      -
      -
      -
      2 Being able to identify and solve problem areas related to Food Engineering,
      -
      -
      -
      -
      -
      3 Being able to design projects and production systems related to Food Engineering, gather data, analyze them and utilize their outcomes in practice,
      -
      -
      -
      -
      -
      4

      Having the necessary skills to develop and use novel technologies and equipment in the field of food engineering,

      -
      -
      -
      -
      -
      5

      Being able to take part actively in team work, express his/her ideas freely, make efficient decisions as well as working individually,

      -
      -
      -
      -
      -
      6

      Being able to follow universal developments and innovations, improve himself/herself continuously and have an awareness to enhance the quality,

      -
      -
      -
      -
      -
      7

      Having professional and ethical awareness,

      -
      -
      -
      -
      -
      8 Being aware of universal issues such as environment, health, occupational safety in solving problems related to Food Engineering,
      -
      -
      -
      -
      -
      9

      Being able to apply entrepreneurship, innovativeness and sustainability in the profession,

      -
      -
      -
      -
      -
      10

      Being able to use software programs in Food Engineering and have the necessary knowledge and skills to use information and communication technologies that may be encountered in practice (European Computer Driving License, Advanced Level),

      -
      -
      -
      -
      -
      11

      Being able to gather information about food engineering and communicate with colleagues using a foreign language ("European Language Portfolio Global Scale", Level B1)

      -
      -
      -
      -
      -
      12

      Being able to speak a second foreign language at intermediate level.

      -
      -
      -
      -
      -
      13

      Being able to relate the knowledge accumulated during the history of humanity to the field of expertise

      -
      -
      -
      -
      -

      *1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest


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